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14 years ago
Scott Farrar
(Visual Effects Supervisor)
Scott Farrar is a Visual Effects Supervisor at Industrial Light & Magic (ILM), a position he held when he worked on the effects for Star Trek VI: The Undiscovered Country. His first contribution to the Star Trek franchise, however, was as photographic effects cameraman on Star Trek: The Motion Picture, before he joined ILM. during his early years with ILM, he worked as special effects cameraman on Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock.
Joining ILM as a visual effects cameraman, Farrar's early work includes Star Wars: Episode VI - Return of the Jedi, Willow, and Who Framed Roger Rabbit. His camera work on the film Cocoon helped ILM win an Academy Award for Best Visual Effects in 1986. After becoming an ILM Visual Effects Supervisor in 1988, Farrar helped the company earn three more Academy Award nominations for their visual effects work in the films Backdraft, A.I. Artificial Intelligence, and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. His other credits as an ILM Visual Effects Supervisor include Cocoon: The Return, Back to the Future Part II, Back to the Future Part III, Wolf, Amistad, Deep Impact, The Mummy, Star Wars: Episode I - The Phantom Menace, Minority Report, and, most recently, 2007's Transformers (written by Roberto Orci & Alex Kurtzman). He was also an additional effects plate photographer on Jurassic Park and supervised the visual effects of the end sequence in Men in Black.
FILMOGRAPHY
Joining ILM as a visual effects cameraman, Farrar's early work includes Star Wars: Episode VI - Return of the Jedi, Willow, and Who Framed Roger Rabbit. His camera work on the film Cocoon helped ILM win an Academy Award for Best Visual Effects in 1986. After becoming an ILM Visual Effects Supervisor in 1988, Farrar helped the company earn three more Academy Award nominations for their visual effects work in the films Backdraft, A.I. Artificial Intelligence, and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. His other credits as an ILM Visual Effects Supervisor include Cocoon: The Return, Back to the Future Part II, Back to the Future Part III, Wolf, Amistad, Deep Impact, The Mummy, Star Wars: Episode I - The Phantom Menace, Minority Report, and, most recently, 2007's Transformers (written by Roberto Orci & Alex Kurtzman). He was also an additional effects plate photographer on Jurassic Park and supervised the visual effects of the end sequence in Men in Black.
FILMOGRAPHY
- Foes (1977)
Special Effects - Star Trek III: The Search for Spock (1984)
Camera Operator - Back to the Future Part III (1990)
Special Effects - Star Trek VI: The Undiscovered Country (1991)
Special Effects - Alive (1993)
Special Effects - Congo (1995)
Supervisor/Manager - Daylight (1996)
Special Effects Supervisor - Amistad (1997)
Special Effects Supervisor - Deep Impact (1998)
Special Effects Supervisor - Cowboys (2000)
Visual Effects Supervisor - Artificial Intelligence (2001)
Visual Effects Supervisor - Minority Report (2002)
Visual Effects Supervisor - Peter Pan (2003)
Visual Effects Supervisor - Rent (2005)
Visual Effects Supervisor - The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (2005)
Visual Effects Supervisor - Transformers (2007)
Visual Effects Supervisor
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