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"Is CHILDHOOD always the best time ?”
13 years ago
An action occurs in three parts: the preparation for the action, the action proper, and the termination of the action. Anticipation is the preparation for the action;
There are several facets to Anticipation. In one sense, it is the anatomical provision for an action. Since muscles in the body function through contraction, each must first be extended before it can contract. A foot must be pulled back before it can be swung forward to kick a ball. Without anticipation many actions are abrupt, stiff and unnatural.
Anticipation is also a device to catch the audience's eye, to prepare them for the next movement and lead them to especially before it actually occurs. Anticipation is often used to explain what the following action is going to be. Before a character reaches to grab an object, he first raises his arms as he stares at the article, broadcasting the fact that he is going to do something with that particular object. The anticipatory moves may not show why he is doing something, but there is no question about what he is going to do next.
Anticipation is also used to direct the attention of the audience to the right part of the screen al the right moment This is essential for preventing the audience from missing some vital action. In the very beginning of Luxo Jr., Dad is on screen alone looking offstage. He then reacts, anticipating something happening there. When Jr. does hop in. the audience is prepared for the action.
The amount of anticipation used considerably affects the speed of the action which follows it If the audience expects something happen, then it can be much faster without losing them. If they are not properly prepared for a very fast action, they may miss it completely; the anticipation must be made larger or the action slower. In a slow action the anticipation is often minimized and the meaning carried in the action proper. In one shot in The Adventures of André and Wally B., Wally B. zips off to the right. The actual action of the zip off is only 3 or 4 frames long, but he anticipates the zip long enough for the audience to know exactly what is coming next.
Anticipation can also emphasize heavy weight. As for a character picking up an object that is very heavy. An exaggerated anticipation, like bending way down before picking up the object, helps the momentum of the character to lift the heavy weight. Likewise for a fat character standing up from a seated position: he will bend his upper body forward, with his hands on the armrests of the chair, before pushing up with his arms and using the momentum of his body.
There are several facets to Anticipation. In one sense, it is the anatomical provision for an action. Since muscles in the body function through contraction, each must first be extended before it can contract. A foot must be pulled back before it can be swung forward to kick a ball. Without anticipation many actions are abrupt, stiff and unnatural.
Anticipation is also a device to catch the audience's eye, to prepare them for the next movement and lead them to especially before it actually occurs. Anticipation is often used to explain what the following action is going to be. Before a character reaches to grab an object, he first raises his arms as he stares at the article, broadcasting the fact that he is going to do something with that particular object. The anticipatory moves may not show why he is doing something, but there is no question about what he is going to do next.
Anticipation is also used to direct the attention of the audience to the right part of the screen al the right moment This is essential for preventing the audience from missing some vital action. In the very beginning of Luxo Jr., Dad is on screen alone looking offstage. He then reacts, anticipating something happening there. When Jr. does hop in. the audience is prepared for the action.
The amount of anticipation used considerably affects the speed of the action which follows it If the audience expects something happen, then it can be much faster without losing them. If they are not properly prepared for a very fast action, they may miss it completely; the anticipation must be made larger or the action slower. In a slow action the anticipation is often minimized and the meaning carried in the action proper. In one shot in The Adventures of André and Wally B., Wally B. zips off to the right. The actual action of the zip off is only 3 or 4 frames long, but he anticipates the zip long enough for the audience to know exactly what is coming next.
Anticipation can also emphasize heavy weight. As for a character picking up an object that is very heavy. An exaggerated anticipation, like bending way down before picking up the object, helps the momentum of the character to lift the heavy weight. Likewise for a fat character standing up from a seated position: he will bend his upper body forward, with his hands on the armrests of the chair, before pushing up with his arms and using the momentum of his body.
Sources : Internet
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